683 безкоштовних аудіофайлів для "Modular Synth"

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

The definition of entropic is having a tendency to change from a state of order to a state of disorder. An example of something entropic is a building which is being demolished. This is an not that entropic version of the entropical paradise patch made in vcv-rack.

Improv jam created using:teenage engineering po-400 modulararturia drumbrutearturia minibrute. 80 bpmkey of dm. Doctor dreamchipportland, orapril 2019.

Dark bass sound made with the following modules as main actors dinsync modseq, doepfer a-124 special edition, uoki-toki polivoks vcf, intellijel μvcf and synthrotek dirt. I'm exploring my filters and try to use them in different ways.

Expect some sick sounds from me!i have built the eurorack module jupiter storm. It's described as a "cosmic noise oscillator". Now i will learn how to tame it. . . So easy to generate totally sick sounds.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

In my bag i have had this little not with a patch on. Today it was time to patch it. I dont know why i once draw it down. If its supposed to be a part of a bigger patch. . . This is the result. Noise.

Droid kinda sounds from the lovely polygogo eurorack module. In this case it was processing cv input from an external lfo. Useful for laser sounds, droids, future computers, etc.

Sometimes i regret being so stubborn, only using analog modules in my modular. How easy it should have been creating cool rhythms for the drums with a digitalclock generator or having a nice wave table oscillator etc. . . . Today, i admit, i once again was looking at a digital clockgenerator. How would care!?same sequence as in electronic minute no 105, but slower. And i have added someeasy modular analog. . . . Drums and a bonus sound. Play with it. In the end the drums are alone!the wav-file is raw! no editing at all. Yes i should record via my h1. . . But it'sso easy to use the mic in on my laptop.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound. I recorded for 1,5h. The synth gave me some strange slow crescendo. Don't really know why. This is the last 30 min. Space drone sci-fi sound.

Had a patch. Changed speed, attack and delay time. Got this. A bubbly noisy landscape. At the end i dissconect the "main lfo". The one thats makes things advance. But beyond that i get sounds.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

Improv jam created using:teenage engineering po-400 modulararturia drumbrutearturia minibrute. 124 bpmkey of em. Doctor dreamchipportland, orapril 2019.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

This is part of a set of samples demonstrating the capabilities of the diy version of the hexinverter mutant clap module (eurorack/modular synth). Of particular note is the noise bleed present in some hexinverter diy products as discussed on the muffwiggler forum. Except where noted as "with vca," all samples are recorded without added effects or processing. "with vca" samples have been tidied up with an envelope modulated vca. One may choose to see the bleed as a feature or flaw. . .

Three looping envelopes 2 on quadra and one pip slope. Forming a minimal rhythm. It's not stable. I make it even more unstable by injecting some cv to one of the envelopes. Maybe i injected a little to much? cool anyway.

the krell patch was conceived by fab wiggler vgermuse, who can be found in the buchla forum!(dcramer, muffwiggler. Org). This is some sort of krell-ish patch. But i don't have an envelope generator with eoc function. . .

5 minutes of chaos. Never the same. Nonlinearcircuits jerk off (a discontinued jerk circuit module) and genie playing a song for you. Or controlling. Creating. Composing. Whatever. . . Nobody will ever be able to recreate this. Not exactly. This is unique.

A little tune where uoki-toki polivoks vcf and intellijel μvcf are acting as vcos. I use one more sound source and that’s noise for the rhythmic sound. No sequencer. No midi. No keyboard. No over dub. Don’t know why i write this… it’s an nice experiment anyway.

Bartonmusicalcircuits decaying analog noise (bmc23) recorded raw. Manual wiggling. Pure analog high-hat drum module. At the end you hear the pure noise. Germanium diode based noise!.

My plan was to make a simple krell patch with some added timbre on the voice. The patch got bigger, fm-modulation and feedback in different form was added.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

Accidently made a login intro using modular hardware synths in old friends studio. Use it for whatever you like, commercial projects are ok too. Please comment what you use this for as i am interested (not required).

Using nonlinearcircuits sloth lfo (regular version) to control volume, pan an some other stuff. . . Always nice to see/hear chaos in action. Sloth delivers cv and let me play with a ruffly tuned chord that goes thoughan analog delay pedal.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.

Okay i have to find the cycles. The start of a cycle is where the oscillator play in (about) unison. One cycle begins at 1:22. 82. Does it end at 1:57. 35?i might create a track called "selfie in three cycles". . .

3 cell quantussy patch. One cell acts as "controller cell". When the controller cell starts a new cycle a noise is heard defining the start of one cycle and at the same time the ending of the previous. Here we have three short cycle.

Today i'm supposed to play with my modular, or anything. As long as i'm not disturb the boys watching gremlins down stairs. . . Okay. I put some modules out for sale. Made this. The sound is generated by self oscillating vcfs. I love sinus wave. I will sell my triple oscillator now. It does not have sinus wave! the randomness is generated to old fashion way. I don't have any fancy random trigger modules. Bla bla bla. . . I stop there.

I made a waveshaper in the js audio language that applies random math operations to the signal. The original signal is liteon's (of reaper forums) lorenz attractor synth, which is then run through the waveshaper, then that signal controls the pitch of a soundwave. Later on i waveshape the resulting soundwave but i don't think it has the best results (dc offset city). A lot of the cooler sounds/series of pitches are made by changing the number of operations on the fly, or shuffling a new set of operations for the waveshaper to use.

I was wondering how to make a glitch soynd since i was downloading a lot of that. Ended up making this beat type thing. ( needs compression). I recorded my self saying "how the f%%k do i make a glitch sound!?" i reversed the f word for censorship. Then it use the mix modulation function in caustic's modular synth to modulate it with a 909 beat & a 8bit synth sound.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

The day before the swedish election 2018. Yes ,there where was an other version of this sound before. . . Free sound keep suggesting the tag "digital". Wrong! my sounds are made with analog gear. Right, the sound has to be digital to reach you - this way.

Alienxxx and i had a little private dare. This is how it sounds when i have mixed the two resulting files. I made a schematic sketch on a simple modular patch. All info was this sketch. The resulting sounds was meant to be 30seconds long and in mono. We both posted our sounds. Alienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/i wanted to mix the sounds as a stage two in this dare. This sound is the result of my mix.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

Three sounds. 1) 2hp sh samples from 25hz bipolar lfo (doepfer a-147-2)2) 2hp sh samples from 25hz looping envelope (intellijel quadra)3) 2hp sh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Boink. These are part of a set of "boink" samples i made using a nord micromodular randomly fming to itself. They're really useful for minimal or glitchy techno and tech house. In the spirit of hitting 10000 samples, i've got about 200 more of these, so if you like them get in touch and i can send some more. . .

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

Three sounds. 1) bmc 2lfosh samples from 25hz bipolar lfo (doepfer a-147-2)2) bmc 2lfosh samples from 25hz looping envelope (intellijel quadra)3) bmc 2lfosh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

It is what the title says "modified doepfer a-124 vcf5 wasp filter"listen and you will understand ;-)i the middle of the sound/beat i turn up resonance. I have connected cv2 to the bass pitch signal. Funny effect.

I'm getting to know a comparator. Why haven't i used it before?extremely electronic. Yes!the comparator i'm using is bastl instruments tromsø. With the comparator i'm making the bass tone that vary in length. What! are you not amused and impressed??? in this patchi'm sending the comparator a saw-wave.

Created for use in the make noise morphagene!. Experimental trumpet sounds by sarah belle reid, seen in the video "acoustic instruments with modular synths! with sarah belle reid" on the make noise youtube channel: https://youtu. Be/g63uefyz_mo. Https://makenoisemusic. Com/modules/morphagene.

Ambient music shaped by two sloth lfosmuch reverb! very much. . . . Oh yes, some "ambient noise" toolets call this patch "instant generative ambient patch"one sloth generates triggers. One controls pitch cv. Noise through filter controlled by 2lfosh. And loads of reverb.

First 4 seconds from the title song of the kids program "fem myror är fler än fyra elefanter". The song was made by bengt ernryd. For some reason i recorded in mp3-format. . . 128 kbits/s? i use make noise phonogene. Reverb by zoom ms-70cdr.

I'm getting to know a comparator. Why haven't i used it before?here i'm using, let's say, 2,5 comparators. Extremely electronic. Yes!look at those waves i'm creating!no filter! this is addative synthesis. Long loop.

--- warning: loud and disruptive! ---. A dirty squelchy modular sequence / loop at 100bpm, with abruptly changing pitches and parameters. Recorded in mono. Some crazy heavy bass, along with general destruction.

Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.

2nd sound today! in spite of short time by the synth. . . . Anyway here in using a feedback loop on the quadra envelope generatorstrange effect with long pausesi use quantizer on thisnoise from jupiter storm. Evaluation of patch/soundone cycle is - about 17 sec - goodonly short sounds - no and yes, good this timeamplitude variation - yep goodpitch variation - yep, enough, goodtimbre variation - could say somusical value - i should consider this musicalentertaining - hmm. . . Interesting.